| |
- Bland, Andrew, "The man and the journey: George Harrison as a transpersonal knower." Paper presented to Psychology graduate course in Transpersonal Development at the State University of West Georgia, Carrollton, Spring 2002; full-length version on: Andrew Bland's web site, 2002.
- Boehmer, Konrad (1970), Zwischen Reihe und Pop. [From round dance to rock.] München, 1970.
- Bolcom, William (1984), "On James A. Winn's essay, The Beatles as artists (1984)." In: Michigan Quarterly Review, 1984 (Winter), 618-620.
- Bonomo, Joe (1996), "Review of: Drugs, divorce and a slipping image. The unauthorised story of the Beatles 'Get Back' sessions, by Doug Sulpy and Ray Schweighardt." In: Popular Music, 1996, 15, 1, 123 -125.
- Borris, Siegfried (1977), Popmusik. Kunst aus Provokation. [Rock music. Art born out of provocation.] Wiesbaden, 1977.
- Brabazon, Tara (2002), "We're one short for the crossing. Abbey Road and popular memory." In: Transformations, 3. [Abstract]
- Brachtel, Karl Robert (1981), "Rezension zu: Eva Diettrich, Tendenzen der Pop-Musik. Dargestellt am Beispiel der Beatles." In: Die Musikforschung, 1981, 34, 4, 513.
- Brandmeier, Klaus (1992), Analytische Betrachtungen zu den Originalkompositionen der Beatles. [Analytical perspectives on the original compositions of the Beatles.] Osnabrück, 1992 (Schriftliche Hausarbeit zur Erlangung des Ersten Staatsexamens, unpublished paper).
- Brauer, Ralph (1990), "Iconic modes. The Beatles." In: Timothy E. Scheurer (ed.), American Popular Music. Readings from the Popular Press. Bowling Green, OH: Bowling Green University Popular Press, 1990.
- Braun, Michael (1964), 'Love Me Do!' The Beatles progress. London: Penguin Books, 1995 [Reprint].
- Breeuwsma, Gerrit (1999), "The greatest of them all. Over jeugdcultuur, Beatles en de uitvinding van plezier." [The greatest of them all. On youth culture, Beatles and the invention of pleasure.] In: Psychologie en Maatschappij, 1999, 23, 2, 166-178.
- Breitfeld, Claudia (1998), "Beatles go Barock." In: Musik und Unterricht, 1998, 9, 48, 14-19.
- Brocken, Michael (1996), "Some other guys. Some theories about signification — Beatles cover versions." In: Popular Music and Society, 1996 (Winter), 20, 4, 5-40.
- Brocken, Mike (2000), "Coming out of the rhetoric of 'Merseybeat.' Conversations with Joe Flannery." In: Ian Inglis (ed.), The Beatles, popular music and society. A thousand voices. Basingstoke: MacMillan; New York: St. Martin's Press, 2000, 23-34.
- Brocken, Michael, and Melissa Davis (2012), The Beatles bibliography. A new guide to the literature. Manitou Springs: Beatle Works, 2012.
|
