| |
- Everett, Walter (1990), "Voice leading and harmony as expressive devices in early music of the Beatles: 'She Loves You.'" In: College Music Symposium, 1990, 32, 19-37.
- Everett, Walter (1995), "The Beatles as composers. The genesis of Abbey Road, Side Two." In: Elizabeth West Marvin and Richard Hermann (eds.), Concert music, rock, and jazz since 1945. Essays and analytical studies. University of Rochester Press, 1995, 172-228.
- Everett, Walter (1999), The Beatles as musicians. Revolver through the Anthology. New York [etc.]: Oxford University Press, 1999.
- Everett, Walter (2001), "The future of Beatles' research." In: Yrjö Heinonen, Markus Heuger, Sheila Whiteley, Terhi Nurmesjärvi and Jouni Koskimäki (eds.), Beatlestudies 3. Proceedings of the Beatles 2000 conference. Jyväskylä: University of Jyväskylä (Department of Music, Research Reports 23), 2001, 25-44. [Abstract]
- Everett, Walter (2001), The Beatles as musicians. The Quarry Men through Rubber Soul. Oxford and New York: Oxford University Press, 2001.
- Everett, Walter (2002), "Detroit and Memphis. The soul of Revolver." In: Russell Reising (ed.), Every sound there is. The Beatles' Revolver and the transformation of rock and roll. Aldershot: Ashgate, 2002, 25-57.
- Everett, Walter (2006), "Painting their room in a colorful way. The Beatles exploration of timbre.", In: Todd F. Davis and Kenneth Womack (eds.), Reading the Beatles. Cultural studies, literary criticism and the Fab Four. New York: State University of New York Press, 2006, 71-94.
- Everett, Walter (2009), "Any time at all. The Beatles' free phrase rhythms." In: Kenneth Womack (ed.), The Cambridge companion to the Beatles. Cambridge: Cambridge University Press, 183-200.
- Everett, Walter, and Tim Riley (2019), What goes on. The Beatles, their music, and their time. Oxford: Oxford University Press, 2019.
|
