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markus heuger's
beabliography

Beabliography

Mostly academic writings about the Beatles
by Markus Heuger
 





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  The Beabliography is a bibliography of books and articles, focusing mainly on academic works on the Beatles. By now the database covers over 600 titles, some with links and/or abstracts. Please mail us if you like to add yet another title to this list.
Authors: I (1 to 15 of 16 items)
   
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  • Ingham, Chris (2003), The rough guide to the Beatles. The story, the songs, the solo years. (second edition) London, New York: Rough Guide Ltd.
  • Ingham, Peter, and Toru Mitsui (1987), "The search for Sweet Georgia Brown. A case for discographical detection." In: Popular Music, 1987, 6, 3, 273-290.
  • Inglis, Ian (1995), "Conformity, status and innovation. The accumulation and utilization of idiosyncracy credits in the career of the Beatles." In: Popular Music and Society, 1995, 19, 3, 41-74.
  • Inglis, Ian (1996), "Ideology, trajectory and stardom. Elvis Presley and the Beatles." In: International Review of the Aesthetics and Sociology of Music, 1996, 27, 1 (June), 53-78.
  • Inglis, Ian (1996), "Synergies and reciprocities. The dynamics of musical and professional interaction between the Beatles and Bob Dylan." In: Popular Music and Society, 1996 (Winter), 20, 4, 53-79.
  • Inglis, Ian (1997), "Variations on a theme. The love songs of the Beatles." In: International Review of the Aesthetics and Sociology of Music, 1997, 28, 1, 37-62.
  • Inglis, Ian (2000), "Introduction: A thousand voices." In: Ian Inglis (ed.), The Beatles, popular music and society. A thousand voices. Basingstoke: MacMillan; New York: St. Martin's Press, 2000, xv-xxii.
  • Inglis, Ian (2000), "Men of ideas? Popular music, anti-intellectualism and the Beatles." In: Ian Inglis (ed.), The Beatles, popular music and society. A thousand voices. Basingstoke: MacMillan; New York: St. Martin's Press, 2000, 1-22.
  • Inglis, Ian (2000), "The Beatles are coming! Conjecture and conviction in the myth of Kennedy, America, and the Beatles." In: Popular Music and Society, 2000, 24, 2, 93-108.
  • Inglis, Ian (2001), "Nothing you can see that isn't shown. The album covers of the Beatles." In: Popular Music, 2001, 20, 1, 83-97.
  • Inglis, Ian (2003), Burning matches, lifting latches. Sociology, popular culture and the Beatles. New Castle: University of Northumbria, 2003 (dissertation).
  • Inglis, Ian (2008), "Cover story: magic, myth and music." In: Julien, Oliver (ed.), Sgt. Pepper and the Beatles. It was forty years ago today. Aldershot: Ashgate, 2008, 91-102.
  • Inglis, Ian (2009), "Revolution." In: Kenneth Womack (ed.), The Cambridge companion to the Beatles. Cambridge: Cambridge University Press, 112-124.
  • Inglis, Ian (ed.) (2000), The Beatles, popular music and society. A thousand voices. Basingstoke: MacMillan, 2000.
  • Inglis, Ian, and Charlotte Wilkins (2015), "L'histoire, l'endroit et le moment: le déclenchement de la British Invasion." ["History, Place and Time: the British Invation Begins."] In: Volume!, 12, 2: 87-107.
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