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markus heuger's
beabliography

Beabliography

Mostly academic writings about the Beatles
by Markus Heuger
 





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  The Beabliography is a bibliography of books and articles, focusing mainly on academic works on the Beatles. By now the database covers over 600 titles, some with links and/or abstracts. Please mail us if you like to add yet another title to this list.
Authors: W (16 to 30 of 48 items)
   
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  • Whiteley, Sheila (1989), An investigation into the relationship between progressive rock and the British counter-culture, 1967-1973. London: Open University, 1989.
  • Whiteley, Sheila (1992), The space between the notes. Rock and the counter-culture. London: Routledge, 1992.
  • Whiteley, Sheila (2001), "No fixed agenda. The position of the Beatles within popular / rock music." In: Yrjö Heinonen, Markus Heuger, Sheila Whiteley, Terhi Nurmesjärvi and Jouni Koskimäki (eds.), Beatlestudies 3. Proceedings of the Beatles 2000 conference. Jyväskylä: University of Jyväskylä (Department of Music, Research Reports 23), 2001, 3-13. [Abstract]
  • Whiteley, Sheila (2002), "Love is all and love is everyone. A discussion of four musical portraits." In: Russell Reising (ed.), Every sound there is. The Beatles' Revolver and the transformation of rock and roll. Aldershot: Ashgate, 2002, 209-221.
  • Whiteley, Sheila (2006), "'Love, love, love.' Representations of gender and sexuality in selected songs by the Beatles.", In: Davis, Todd F., and Kenneth Womack (eds.), Reading the Beatles. Cultural studies, literary criticism and the Fab Four. New York: State University of New York Press: 2006, 55-70.
  • Whiteley, Sheila (2008), "'Tangerine trees and marmalade skies.' Cultural agendas or optimistic escapism?" In: Julien, Oliver (ed.), Sgt. Pepper and the Beatles. It was forty years ago today. Aldershot: Ashgate, 2008, 11-22.
  • Whiteley, Sheila (2009), "The Beatles as Zeitgeist." In: Kenneth Womack (ed.), The Cambridge companion to the Beatles. Cambridge: Cambridge University Press, 203-216.
  • Whiteley, Sheila (2015), "'Tangerine trees and marmalade skies': bouleversement culturel ou simple besoin d'évasion?." ["'Tangerine Trees and Marmalade skies': Cultural Agendas or Optimistic Escapism."] In: Volume!, 12, 2: 109-126.
  • Whitley, Ed (2000), "The postmodern White Album." In: Ian Inglis (ed.), The Beatles, popular music and society. A thousand voices. Basingstoke: MacMillan; New York: St. Martin's Press, 2000, 105-125.
  • Widders-Ellis, Andy, and Jesse Gress (1994), "Take a rad song and make it better. Exploded views of three Beatles classics." In: Guitar Player, 1994, 28, 9, 95-104, 106, 108.
  • Wiener, Allen J. (1986), The Beatles. A recording history. Jefferson, NC: McFarland, 1986.
  • Wiener, Allen J. (1994), The Beatles. The ultimate recording guide. London, 1994.
  • Wiener, Jon (1984), Come Together. John Lennon in his time. New York: Random House, 1984.
  • Wiener, Jon (1991), Professors, politics and pop. London, New York: Verso, 1991.
  • Wiener, Jon (1994), "The curious case of John Lennon and the FBI." In: Dissent, 1994, 41, 2, 279-284.
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