| |
- Heinonen, Yrjö, (1995), "Michelle, ma belle — lauluntekeminen psyykkisten ristiriitojen sovittajana." [Michelle, ma belle — songwriting as coping with inner conflicts.] In": Jaakko Erkkilä and Yrjö Heinonen (eds.), Teoksessa Avaa mielesi musiikille! Kohti tutki muspohjaista musiikkiterapiaa. Jyväskylä: Jyväskylän yliopiston musiikkitieteen lai, 1995; and in: Heinonen, Yrjö (1995), Elämyksestä ideaksi — ideasta musiikiksi. Sävellysprosessin yleinen malli ja sen soveltaminen Beatles-yhtyeen laulunteko-ja äänitysprosessiin. Jyväskylä: University of Jyväskykä, 1995 (Jyväskylä Studies in the Arts, 48 — Ph.D. Dissertation). [Summary]
- Heinonen, Yrjö, Jouni Koskimäki and Terhi Nurmesjärvi (1998), "The White Album — Past and future." Paper for the IASPM UK 1998 Conference "Popular Music — Past and Future". Liverpool, England, 11-13 September 1998. [Abstract]
- Hørlyk, Thorkil (1994), "Musikteoretiske studier af melodik og harmonik i rockmusik med eksempler fra Beatles-stilen." [A music-theoretical study of melody and harmony in rock music with examples from the Beatles-songbook.] In: Col Legno. Musikalske studier fra Institut for Musik og Musikterapi og Nordjysk Musikkonservatorium, 1: 355-402.
- Johansson, K-G. (1998), Beatles harmoniska språk. En beskrivande undersökning av harmoniken i Beatles musik. [The harmonic language of the Beatles. A descriptive enquiry into the harmonies of the Beatles.] Piteå: Luleå University of Technology, School of Music in Piteå, 1998, rapportseries 1998:01 (dissertation).
- Johansson, K-G. (1998), Beatles harmoniska språk. En beskrivande undersökning av harmoniken i Beatles musik. [The harmonic language of the Beatles. A descriptive study of the uses of harmony in the music of the Beatles.] Piteå: Luleå University of Technology, School of Music in Piteå (dissertation).
- Johansson, K-G. (1999), "The harmonic language of the Beatles." In: STM-Online (Svensk Tidskrift för Musikforskning), 1999, 2.
- Julien, Olivier (1993), The Beatles. Revolver, du blues à la pop music. Paris: Paris-Sorbonne University.
- Julien, Olivier (1998), Le son Beatles. Paris: Paris-Sorbonne University (dissertation).
- Julien, Olivier (ed.) (2008), Sgt. Pepper and the Beatles. It was forty years ago today. Aldershot and Burlington: Ashgate.
- Koskimäki, Jouni (2001), "Variations as the key principle in the vocal parts of 'Cry Baby Cry'." In: Yrjö Heinonen, Markus Heuger, Sheila Whiteley, Terhi Nurmesjärvi and Jouni Koskimäki (eds.), Beatlestudies 3. Proceedings of the Beatles 2000 conference. Jyväskylä: University of Jyväskylä (Department of Music, Research Reports 23), 2001, 255-269. [Abstract]
- Koskimäki, Jouni, and Yrjö Heinonen (1998), "Variation as the key principle of arrangement in 'Cry Baby Cry.'" In: Yrjö Heinonen, Tuomas Eerola, Jouni Koskimäki, Terhi Nurmesjärvi and John Richardson (eds.), Beatlestudies 1. Songwriting, recording, and style change. Jyväskylä: University of Jyväskylä (Department of Music, Research Reports 19), 1998, 119-145.
- Kramarz, Volkmar (1983), Harmonie-Analyse der Rockmusic. Von Folk und Blues zu Rock und New Wave. Mainz: Schott, 1983.
- Leblanc, Jim (2002), "Premature turns. Thematic disruption in the American version of Revolver." In: Russell Reising (ed.), Every sound there is. The Beatles' Revolver and the transformation of rock and roll. Aldershot: Ashgate, 2002, 194-205.
- Mäkela, Tomi (2001), "Dynamics of polylinearity in popular music. Perception and apperception of 64 seconds of 'Please Please Me'." In: Yrjö Heinonen, Markus Heuger, Sheila Whiteley, Terhi Nurmesjärvi and Jouni Koskimäki (eds.), Beatlestudies 3. Proceedings of the Beatles 2000 conference. Jyväskylä: University of Jyväskylä (Department of Music, Research Reports 23), 2001, 129-138. [Abstract]
- MacFarlane, Thomas (2007), The Beatles' Abbey Road Medley. Extended forms in popular music. Lanham and Plymouth: Scarecrow Press, 2007.
|
