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markus heuger's
beabliography

Beabliography

Mostly academic writings about the Beatles
by Markus Heuger
 





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  The Beabliography is a bibliography of books and articles, focusing mainly on academic works on the Beatles. By now the database covers over 600 titles, some with links and/or abstracts. Please mail us if you like to add yet another title to this list.
Analysis - Musical Parameters (76 to 89 of 89 items)
   
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  • Tillekens, Ger (1999), "A Beatles' odyssey. Alan W. Pollack's musicological journey through the Beatles' songs." In: Soundscapes, 1998-1999, 1 (Winter).
  • Tillekens, Ger (2001), "Words and chords. The semantic shifts of the Beatles' chords." In: Yrjö Heinonen, Markus Heuger, Sheila Whiteley, Terhi Nurmesjärvi and Jouni Koskimäki (eds.), Beatlestudies 3. Proceedings of the Beatles 2000 conference. Jyväskylä: University of Jyväskylä (Department of Music, Research Reports 23), 2001, 97-111; and in: Soundscapes, 1999-2000, 3 (Summer). [Abstract]
  • Tillekens, Ger (2002), "A flood of flat-sevenths." In: Russell Reising (ed.), Every sound there is. The Beatles' Revolver and the transformation of rock and roll. Aldershot: Ashgate, 2002, 121-136; and in: Soundscapes, 2006-2007, 1 (Spring).
  • Valdez, Stephen (2002), "Revolver as a pivotal art work. Structure, harmony, and vocal harmonization." In: Russell Reising (ed.), Every sound there is. The Beatles' Revolver and the transformation of rock and roll. Aldershot: Ashgate, 2002, 89-108.
  • Valdez, Steven (2001), "Vocal harmony as a structural device in the commercial recordings of the Beatles, 1962-1970." In: Yrjö Heinonen, Markus Heuger, Sheila Whiteley, Terhi Nurmesjärvi and Jouni Koskimäki (eds.), Beatlestudies 3. Proceedings of the Beatles 2000 conference. Jyväskylä: University of Jyväskylä (Department of Music, Research Reports 23), 2001, 243-253. [Abstract]
  • Villinger, Alexander (1983), Die Beatles-Songs. Analysen zur Harmonik und Melodik. Freiburg: University of Fribourg-en-Brisgau / Hochschulverlag, 1983.
  • Wagner, Naphtali (1999), "The Beatles' songs. Musical nihilism or lieder." In: Mafteah, 3, 6-24.
  • Wagner, Naphtali (1999), The Beatles. The seven good years. Jerusalem: Magnes Press, 1999.
  • Wagner, Naphtali (2001), "Tonal oscillation in the Beatles songs." In: Yrjö Heinonen, Markus Heuger, Sheila Whiteley, Terhi Nurmesjärvi and Jouni Koskimäki (eds.), Beatlestudies 3. Proceedings of the Beatles 2000 conference. Jyväskylä: University of Jyväskylä (Department of Music, Research Reports 23), 2001, 87-96. [Abstract]
  • Wagner, Naphtali (2002), "Tonal family ressemblance in Revolver." In: Russell Reising (ed.), Every sound there is. The Beatles' Revolver and the transformation of rock and roll. Aldershot: Ashgate, 2002, 109-120.
  • Wagner, Naphtali (2008), "The Beatles' psycheclassical synthesis. Psychedelic classicism and classical psychedelia in Sgt. Pepper." In: Julien, Oliver (ed.), Sgt. Pepper and the Beatles. It was forty years ago today. Aldershot: Ashgate, 2008, 75-90.
  • Whitley, Ed (2000), "The postmodern White Album." In: Ian Inglis (ed.), The Beatles, popular music and society. A thousand voices. Basingstoke: MacMillan; New York: St. Martin's Press, 2000, 105-125.
  • Widders-Ellis, Andy, and Jesse Gress (1994), "Take a rad song and make it better. Exploded views of three Beatles classics." In: Guitar Player, 1994, 28, 9, 95-104, 106, 108.
  • Wollin, Christian (1999), Beatleslåtar bearbetade för klassisk gitarr. Analys och jämförelse mellan arrangemangen på Göran Söllschers CD "Here, here and Everywhere". [Beatles' songs adapted for classical guitar. Analysis and comparison between the arrangements for Göran Söllschers CD "Here, here and Everywhere"] Lunds: University of Lunds, 1999.
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