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Search results for "the beatles"

 





Your search for "the beatles" resulted in 350 matches
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226 Alan W. Pollack's Notes on "Good Morning, Good Morning". No. 116 in Alan W. Pollack's Notes on ... Series, a musicological analysis of all Beatles' songs.
227 Alan W. Pollack's Notes on "Got To Get You Into My Life". No. 102 in Alan W. Pollack's Notes on ... Series, a musicological analysis of all Beatles' songs.
228 Alan W. Pollack's Notes on "Ob-La-Di, Ob-La-Da". No. 133 in Alan W. Pollack's Notes on ... Series, a musicological analysis of all Beatles' songs.
229 Alan W. Pollack's Notes on "Sexy Sadie". No. 149 in Alan W. Pollack's Notes on ... Series, a musicological analysis of all Beatles' songs.
230 Alan W. Pollack's Notes on "Tell Me Why". No. 52 in Alan W. Pollack's Notes on ... Series, a musicological analysis of all Beatles' songs.
231 Alan W. Pollack's Notes on "Rocky Raccoon". No. 141 in Alan W. Pollack's Notes on ... Series, a musicological analysis of all Beatles' songs.
232 Alan W. Pollack's Notes on "The Long And Winding Road". No. 175 in Alan W. Pollack's Notes on ... Series, a musicological analysis of all Beatles' songs.
233 Alan W. Pollack's Notes on "If I Fell". No. 50 in Alan W. Pollack's Notes on ... Series, a musicological analysis of all Beatles' songs.
234 Alan W. Pollack's Notes on ... Warning concerning Copyright Restrictions. Alan W. Pollack's Notes on ... Series, a musicological analysis of all Beatles' songs.
235 Alan W. Pollack's Notes on "Why Don't We Do It In The Road?". No. 143 in Alan W. Pollack's Notes on ... Series, a musicological analysis of all Beatles' songs.
236 Alan W. Pollack's Notes on "Being For The Benefit Of Mr. Kite". No. 112 in Alan W. Pollack's Notes on ... Series, a musicological analysis of all Beatles' songs.
237 Alan W. Pollack's Notes on "And I Love Her". No. 3.3 in Alan W. Pollack's Notes on ... Series, a musicological analysis of all Beatles' songs.
238 Alan W. Pollack's Notes on "Glass Onion". No. 132 in Alan W. Pollack's Notes on ... Series, a musicological analysis of all Beatles' songs.
239 Alan W. Pollack's Notes on "Lucy In The Sky With Diamonds". No. 108 in Alan W. Pollack's Notes on ... Series, a musicological analysis of all Beatles' songs.
240 Alan W. Pollack's Notes on "Lovely Rita". No. 115 in Alan W. Pollack's Notes on ... Series, a musicological analysis of all Beatles' songs.
241 Alan W. Pollack's Notes on "And Your Bird Can Sing". No. 98 in Alan W. Pollack's Notes on ... Series, a musicological analysis of all Beatles' songs.
242 Alan W. Pollack's Notes on "I Will". No. 144 in Alan W. Pollack's Notes on ... Series, a musicological analysis of all Beatles' songs.
243 Alan W. Pollack's Notes on "Long, Long, Long". No. 151 in Alan W. Pollack's Notes on ... Series, a musicological analysis of all Beatles' songs.
244 Alan W. Pollack's Notes on "Blackbird". No. 139 in Alan W. Pollack's Notes on ... Series, a musicological analysis of all Beatles' songs.
245 Alan W. Pollack's Notes on "You Won't See Me". No. 9.1 in Alan W. Pollack's Notes on ... Series, a musicological analysis of all Beatles' songs.
246 Alan W. Pollack's Notes on "Piggies". No. 140 in Alan W. Pollack's Notes on ... Series, a musicological analysis of all Beatles' songs.
247 Promoting social change through audio repetition. Black musicians as creators and revivalists 1953-1978. The development of contemporary American music is clearly reflected in the integration of black composers, performers, and their songs into mainstream popular record charts. Between 1953 and 1978 a fascinating role reversal occurred. During that quarter century black artists shifted from creators to revivalists. To analyze this shift B. Lee Cooper here makes a careful examination of the cover recordings and song revivals.
248 Plagiarism or inspiration?. Some songs closely resemble one another. But, when can we say that the similarities are coincidental, come down to plagiarism or to something in between that may be labelled 'inspiration'? Adding about a dozen songs to some well-known cases, D. Pinter here unfolds a critical approach to judge alleged plagiarism in popular music.
249 Alan W. Pollack's Notes on ... Series 104 - 160. Alan W. Pollack's Notes on ... Series 104 - 160
250 Alan W. Pollack's Notes on ... Series 161 - 196. Alan W. Pollack's Notes on ... Series 161 - 196
   
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