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volume 2
july 1999
Music, culture and society in Europe
journal on media culture
ISSN 1567-7745
volumes
Volume 14 / 2011-2012 —
Volume 13 / 2010-2011 —
Volume 12 / 2009-2010 —
Volume 11 / 2008-2009 —
Volume 10 / 2007-2008 —
Volume 9 / 2006-2007 —
Volume 8 / 2005-2006 —
Volume 7 / 2004-2005 —
Volume 6 / 2003-2004 —
Volume 5 / 2002-2003 —
Volume 4 / 2001-2002 —
Volume 3 / 2000-2001 —
Volume 2 / 1999-2000 —
Volume 1 / 1998-1999 —
Editorials and Op-Eds —
databases
Alan W. Pollack's Notes On ... —
Markus Heuger's Beabliography —
Rare Pictures from Radio's Past —
Zeezender Discografie —
dossiers
Beatles Studies —
Comics and Cartoons —
History of Radio and Television —
Local and Global Radio —
Offshore Radio Stations —
Popular Music Studies —
Rock Song Anatomy —
Studies in Photography —
Theory and Methodology —
Part II of: European Music Office,
Music in Europe
. Brussels, 1996
.
Edited by Paul Rutten
Foreword
1
Global sounds and local brews
. Musical developments and music industry in Europe — Paul Rutten
2
Popular music and processes of social transformation
. The case of rock music in former East Germany — Peter Wicke
3
Music and identity among European youth
. Music as communication — Keith Roe
4
Popular music policy and the articulation of regional identities
. The case of Scotland and Ireland — Simon Frith
5
Latin lovers: salsa musicians and their audience in London
. A small dance boom, or in defence of the trivial — Vincenzo Perna
6
Music industry and music lovers, beyond Benjamin
. The return of the amateur — Antoine Hennion
7
La Friche Belle de Mai
. A centre for cultural and artistic activities in Marseille — Myriam Tekaïa
8
Hip Hop and Rap in Europe
. The culture of the urban ghetto's — Marie-Agnès Beau
9
The charm of activity as the essence of musical expression
. An interview with Henk Hofstede — Paul Rutten
10
The non-profit music organization in partnership with the commercial field
. The Finnish Music Information Centre (MIC) — Jari Muikku
11
The traditional musics in Europe
. The modernity of traditional music — Jany Rouger and Jean-François Dutertre
Acknowledgements
1999 © Soundscapes