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beabliography

Beabliography

Mostly academic writings about the Beatles
by Markus Heuger
 





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  The Beabliography is a bibliography of books and articles, focusing mainly on academic works on the Beatles. By now the database covers over 600 titles, some with links and/or abstracts. Please mail us if you like to add yet another title to this list.
Authors: All (46 to 60 of 621 items)
   
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  • Borris, Siegfried (1977), Popmusik. Kunst aus Provokation. [Rock music. Art born out of provocation.] Wiesbaden, 1977.
  • Brabazon, Tara (2002), "We're one short for the crossing. Abbey Road and popular memory." In: Transformations, 3. [Abstract]
  • Brachtel, Karl Robert (1981), "Rezension zu: Eva Diettrich, Tendenzen der Pop-Musik. Dargestellt am Beispiel der Beatles." In: Die Musikforschung, 1981, 34, 4, 513.
  • Brandmeier, Klaus (1992), Analytische Betrachtungen zu den Originalkompositionen der Beatles. [Analytical perspectives on the original compositions of the Beatles.] Osnabrück, 1992 (Schriftliche Hausarbeit zur Erlangung des Ersten Staatsexamens, unpublished paper).
  • Brauer, Ralph (1990), "Iconic modes. The Beatles." In: Timothy E. Scheurer (ed.), American Popular Music. Readings from the Popular Press. Bowling Green, OH: Bowling Green University Popular Press, 1990.
  • Braun, Michael (1964), 'Love Me Do!' The Beatles progress. London: Penguin Books, 1995 [Reprint].
  • Breeuwsma, Gerrit (1999), "The greatest of them all. Over jeugdcultuur, Beatles en de uitvinding van plezier." [The greatest of them all. On youth culture, Beatles and the invention of pleasure.] In: Psychologie en Maatschappij, 1999, 23, 2, 166-178.
  • Breitfeld, Claudia (1998), "Beatles go Barock." In: Musik und Unterricht, 1998, 9, 48, 14-19.
  • Brocken, Michael (1996), "Some other guys. Some theories about signification — Beatles cover versions." In: Popular Music and Society, 1996 (Winter), 20, 4, 5-40.
  • Brocken, Mike (2000), "Coming out of the rhetoric of 'Merseybeat.' Conversations with Joe Flannery." In: Ian Inglis (ed.), The Beatles, popular music and society. A thousand voices. Basingstoke: MacMillan; New York: St. Martin's Press, 2000, 23-34.
  • Brocken, Michael (2015), "Le Master The Beatles, Popular Music and Society. MA: Linking Academia with the Beatles Tourism Industry." In: Volume!, 12, 2: 193-203.
  • Brocken, Michael, and Melissa Davis (2012), The Beatles bibliography. A new guide to the literature. Manitou Springs: Beatle Works, 2012.
  • Brog, Michael A. (1995), "The phenomena of Pine's 'four psychologies.' Their contrast and interplay as exhibited in the Beatles' White Album." In: American Journal of Psychotherapy, 1995, 49, 3, 385-404. [Abstract]
  • Brothers, Thomas (2018), Help! The Beatles, Duke Ellington, and the magic of collaboration. New York: W.W. Norton, 2018.
  • Brown, Jason I. (2004), "Mathematics, physics and 'A Hard Day's Night'." In: CMS (Canadian Mathematical Society) Notes, 36, 4-8. [Abstract]
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