markus heuger's


Mostly academic writings about the Beatles
by Markus Heuger

  The Beabliography is a bibliography of books and articles, focusing mainly on academic works on the Beatles. By now the database covers over 600 titles, some with links and/or abstracts. Please mail us if you like to add yet another title to this list.
Authors: F (1 to 15 of 21 items)
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  • Fabbri, Franco (1996), "Forme e modelli delle canzoni dei Beatles." [Forms and models of the Beatles' songs.] In: Rossana Dalmonte (ed.), Analisi e canzoni. Trento: Dipartimento di Scienze Filologiche e Storiche, Università degli Studi di Trento, 1996, 169-196 [also published in: Franco Fabbri, Il suono in cui viviamo. Inventare, produrre, diffondere musica. Milano: Feltrinelli, 1996, 53-79]. [Abstract]
  • Faulstich, Werner (1985), Rock als 'Way of Life.' Tübinger Vorlesungen zur Rockgeschichte, Teil II: 1964-1971. Herausgegeben von Charly Rinne. Gelsenkirchen, 1985.
  • Fitzgerald, Jon (1995), "When the Brill Building met Lennon-McCartney. Continuity and change in the early evolution of the mainstream pop song." In: Popular Music and Society, 1995, 19, 1, 59-78.
  • Fitzgerald, Jon (1996), "Lennon-McCartney and the 'middle eight.'" In: Popular Music and Society, 1996, 20, 4, 41-52.
  • Fitzgerald, Jon (2000), "Lennon-McCartney and the early British invasion, 1964-1966." In: Ian Inglis (ed.), The Beatles, popular music and society. A thousand voices. Basingstoke: MacMillan; New York: St. Martin's Press, 2000, 53-85.
  • Flender, Christine (1995), Computerunterstützte Vergleichsanalyse einstimmiger Gesangsmelodien der Popmusik — dargestellt am Beispiel der Beatles-Songs. [Comparing monovocal rock melodies by computer analysis — the example of the Beatles' songs.] Köln: Musikwissenschaftliches Institut der Universität zu Köln, 1995 (Magisterarbeit, 2 Bande; unpublished manuscript).
  • Flender, Christine, and Markus Heuger (1996), "Beatology — Musikwissenschaftliche Annäherungen an die Beatles-Songs." [Beatology — musicological approaches to the Beatles' songs.] In: H. Rösing (ed.), Mainstream, Underground, Avantgarde: Rockmusik und Publikumsverhalten. Beiträge zur Popularmusikforschung 18. Karben: Coda, 1996, 47-61. [Abstract]
  • Frame, Peter (1997), The Beatles and some other guys. Rock family trees of the early sixties. London: Omnibus Press, 1997.
  • Freed, Richard (1965), "B is for Beatles (and Baroque)." In: Saturday Review, 25-12-1965: 57, 61.
  • Freund, Charles Paul (2001), "Still fab. Why we keep listening to the Beatles." In: Reason Online, June 2001.
  • Frith, Simon (1981), "Something to be — John Lennon." In: Simon Frith (1988), Music for pleasure. Essays in the sociology of pop. Oxford: Basil Blackwell, 1988, 72-76 (originally published in: Marxism Today, 1981).
  • Frith, Simon (1984), "Popular music, 1950-1980." In: George Martin (ed.), Making music. The guide to writing, performing and recording. New York: Quill, 1984, 18-48.
  • Frith, Simon (1992), "From the Beatles to Bros. Twenty-five years of British pop." In: Nicholas Abercrombie and Alan Warde (eds.), Social change in contemporary Britain. Cambridge, MA: Blackwell, 1992. [Abstract]
  • Frith, Simon (1996), "Performance." In: Simon Frith (1996), Performing rites. On the value of popular music. Oxford: Oxford University Press, 1996, 203-225.
  • Frith, Simon (1996), "The value problem in cultural studies." In: Simon Frith (1996), Performing rites. On the value of popular music. Oxford: Oxford University Press, 1996, 3-20.
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