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markus heuger's
beabliography

Beabliography

Mostly academic writings about the Beatles
by Markus Heuger
 





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  The Beabliography is a bibliography of books and articles, focusing mainly on academic works on the Beatles. By now the database covers over 600 titles, some with links and/or abstracts. Please mail us if you like to add yet another title to this list.
Authors: H (46 to 60 of 70 items)
   
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  • Heinonen, Yrjö (2000), "Man on a flaming pie. The dubious origin of the Beatles revisited." In: Yrjö Heinonen, Jouni Koskimäki, Seppo Niemi and Terhi Nurmesjärvi (eds.), Beatlestudies 2. History, identity, authenticity. Jyväskylä: University of Jyväskylä (Department of Music, Research Reports 23), 2000, 111-146. [Abstract]
  • Heinonen, Yrjö (2000), "Review of: The Beatles as musicians. Revolver through the Anthology, by Walter Everett (1999)." In: Music Theory Online, 2000, 6, 2 (May).
  • Heinonen, Yrjö (2001), "The mystery of Eleanor Rigby. Meditations on a gravestone." In: Yrjö Heinonen, Markus Heuger, Sheila Whiteley, Terhi Nurmesjärvi and Jouni Koskimäki (eds.), Beatlestudies 3. Proceedings of the Beatles 2000 conference. Jyväskylä: University of Jyväskylä (Department of Music, Research Reports 23), 2001, 299-312. [Abstract]
  • Heinonen, Yrjö, (1995), "Michelle, ma belle — lauluntekeminen psyykkisten ristiriitojen sovittajana." [Michelle, ma belle — songwriting as coping with inner conflicts.] In": Jaakko Erkkilä and Yrjö Heinonen (eds.), Teoksessa Avaa mielesi musiikille! Kohti tutki muspohjaista musiikkiterapiaa. Jyväskylä: Jyväskylän yliopiston musiikkitieteen lai, 1995; and in: Heinonen, Yrjö (1995), Elämyksestä ideaksi — ideasta musiikiksi. Sävellysprosessin yleinen malli ja sen soveltaminen Beatles-yhtyeen laulunteko-ja äänitysprosessiin. Jyväskylä: University of Jyväskykä, 1995 (Jyväskylä Studies in the Arts, 48 — Ph.D. Dissertation). [Summary]
  • Heinonen, Yrjö, and Tuomas Eerola (1998), "Songwriting, recording, and style change. Problems in the chronology and periodization of the musical style of the Beatles." In: Yrjö Heinonen, Tuomas Eerola, Jouni Koskimäki, Terhi Nurmesjärvi and John Richardson (eds.), Beatlestudies 1. Songwriting, recording, and style change. Jyväskylä: University of Jyväskylä (Department of Music, Research Reports 19), 1998, 3-32; and in: Soundscapes, 1999-2000, 3 (Summer).
  • Heinonen, Yrjö, and Tuomas Eerolo (2000), "The Beatles and their times. Thoughts on the 'relative autonomy' of style change." In: Yrjö Heinonen, Jouni Koskimäki, Seppo Niemi and Terhi Nurmesjärvi (eds.), Beatlestudies 2. History, identity, authenticity. Jyväskylä: University of Jyväskylä (Department of Music, Research Reports 23), 2000, 1-42. [Abstract]
  • Heinonen, Yrjö, Jouni Koskimäki and Terhi Nurmesjärvi (1998), "The White Album — Past and future." Paper for the IASPM UK 1998 Conference "Popular Music — Past and Future". Liverpool, England, 11-13 September 1998. [Abstract]
  • Heinonen, Yrjö, Tuomas Eerola, Jouni Koskimäki and Terhi Nurmesjärvi (1998), "(Being a short diversion to) Current perspectives in Beatles' research." In: Yrjö Heinonen, Tuomas Eerola, Jouni Koskimäki, Terhi Nurmesjärvi and John Richardson (eds.), Beatlestudies 1. Songwriting, recording, and style change. Jyväskylä: University of Jyväskylä (Department of Music, Research Reports 19), 1998, i-v.
  • Heister, Hans-Werner, and Jürgen Warneken (1969), "Rezension zu: Die Songs der Beatles, durch Georg Geppert (1968)." In: Argument, 1969, 11, 341-22.
  • Helbig, Jörg, and Simon Warner (eds.) (2008), Summer of love. The Beatles, art and culture in the sixties. Trier: Wissenschaftlicher Verlag, 2008.
  • Hertsgaard, Mark (1995), A day in the life. The music and artistry of the Beatles. New York, 1995 [German edition: The Beatles. Die Geschichte ihrer Musik. München: Hanser, 1995; Dutch edition: A Day In The Life. De Beatles en hun muziek. Baarn: De Prom, 1995.]
  • Heuger, Markus (1995), Die Bearbeitung als Rezeptionsform populärer Musik — am Beispiel der Adaption von Beatles-Kompositionen, 1963-94. Köln: Musikwissenschaftliches Institut der Universität zu Köln, 1995 (Magisterarbeit, 3 Bände; unpublished manuscript).
  • Hicter, Marcel (1977), "La contre-culture n'existe pas." [There is no counterculture.] In: Revue de l'Institut de Sociologie (Solvay), 1977, 3-4, 495-505. [Abstract]
  • Hockinson, Michael J. (1992), The ultimate Beatles quiz book. New York, 1992 (2).
  • Holt, Greg (1984), "Review of: The Beatles. A musical evolution, by Terence O'Grady." In: Popular Music, 1984, 4, 359-362.
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