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markus heuger's
beabliography

Beabliography

Mostly academic writings about the Beatles
by Markus Heuger
 





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  The Beabliography is a bibliography of books and articles, focusing mainly on academic works on the Beatles. By now the database covers over 600 titles, some with links and/or abstracts. Please mail us if you like to add yet another title to this list.
Authors: N (1 to 15 of 15 items)
   
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  • Narducy, Raymond Don (1981), The films of the Beatles. A study in star images. Northwestern University (Dissertation).
  • Nash, Alun (1978), "John Lennon and the infuence of Lewis Carroll." In: Jabberwocky. The Journal of the Lewis Carroll Society, 1978, 7, 36-39.
  • Neaverson, Bob (1997), The Beatles movies. Rethinking British cinema. London: Cassell Academic, 1997.
  • Neaverson, Bob (2000), "Tell me what you see. The influence and impact of the Beatles' movies." In: Ian Inglis (ed.), The Beatles, popular music and society. A thousand voices. Basingstoke: MacMillan; New York: St. Martin's Press, 2000, 150-162.
  • Neises, Charles P. (ed.) (1984), The Beatles reader. A selection of contemporary views, news and reviews of the Beatles in their heyday. Ann Arbor: Pierian Press, 1984.
  • Niemi, Seppo (1999), The Beatles äänistudiossa. Beatles-yhtyeen studiotoiminta historian ja musiikkiteknologian näkökulmasta. [The Beatles in the studio. The Beatles' studio activities in the light of history and music technology.] Jyväskylä: University of Jyväskylä, 1999.
  • Niemi, Seppo (2000), "Band on the record. The Beatles' recordings from the historical and technological points of view." In: Yrjö Heinonen, Jouni Koskimäki, Seppo Niemi and Terhi Nurmesjärvi (eds.), Beatlestudies 2. History, identity, authenticity. Jyväskylä: University of Jyväskylä (Department of Music, Research Reports 23), 2000, 43-85. [Abstract]
  • Niermann, Franz (1981), "Die Sache verfehlt. Rezension zu Eva Diettrich, Tendenzen der Pop- Musik. Dargestellt am Beispiel der Beatles." In: Musica, 1981, 35, 2, 182-183.
  • Noack, Winfried (1997), Original und Bearbeitung. Unterrichtseinheit am Beispiel von Yesterday — mit einem Notationspuzzle. Hamburg: AfS Unterrichtshilfe Nr. 104 / 105, 1979.
  • Norman, Philip (1981), Shout! The Beatles in their generation. New York: Simon and Schuster.
  • Norman, Philip (1996), Shout! The Beatles in their generation. (second edition) New York: Simon and Schuster.
  • Northcutt, William M. (2006), "The spectacle of alienation. Death, loss, and the crowd in Sgt. Pepper's Lonely Hearts Club Band.", In: Davis, Todd F., and Kenneth Womack (eds.), Reading the Beatles. Cultural studies, literary criticism and the Fab Four. New York: State University of New York Press, 2006, 129-146.
  • Nurmesjärvi, Terhi (1998), "The concept of form and its change in the singles of the Beatles." In: Yrjö Heinonen, Tuomas Eerola, Jouni Koskimäki, Terhi Nurmesjärvi and John Richardson (eds.), Beatlestudies 1. Songwriting, recording, and style change. Jyväskylä: University of Jyväskylä (Department of Music, Research Reports 19), 1998, 61-88.
  • Nurmesjärvi, Terhi (2000), "Liverpudlian identity on the early Beatles, 1957-1962." In: Yrjö Heinonen, Jouni Koskimäki, Seppo Niemi and Terhi Nurmesjärvi (eds.), Beatlestudies 2. History, identity, authenticity. Jyväskylä: University of Jyväskylä (Department of Music, Research Reports 23), 2000, 87-110. [Abstract]
  • Nurmesjärvi, Terhi (2000), "You need another chorus. Problems with formal concepts in popular music." In: Yrjö Heinonen, Jouni Koskimäki, Seppo Niemi and Terhi Nurmesjärvi (eds.), Beatlestudies 2. History, identity, authenticity. Jyväskylä: University of Jyväskylä (Department of Music, Research Reports 23), 2000, 147-168. [Abstract]
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