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markus heuger's
beabliography

Beabliography

Mostly academic writings about the Beatles
by Markus Heuger
 





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  The Beabliography is a bibliography of books and articles, focusing mainly on academic works on the Beatles. By now the database covers over 600 titles, some with links and/or abstracts. Please mail us if you like to add yet another title to this list.
Analysis - Musical Parameters (61 to 75 of 89 items)
   
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  • Mulder, Juul (2001), "Semantic shifts in Beatles' chord progressions. On the perception of shifts in song contexts induced by chords." In: Yrjö Heinonen, Markus Heuger, Sheila Whiteley, Terhi Nurmesjärvi and Jouni Koskimäki (eds.), Beatlestudies 3. Proceedings of the Beatles 2000 conference. Jyväskylä: University of Jyväskylä (Department of Music, Research Reports 23), 2001, 113-128; and in: Soundscapes, 2004-2005, 1 (Spring). [Abstract]
  • O'Donnell, Shaugn (2002), "Sailing to the sun. Revolver's influence on Pink Floyd." In: Russell Reising (ed.), Every sound there is. The Beatles' Revolver and the transformation of rock and roll. Aldershot: Ashgate, 2002, 69-86.
  • O'Grady, Terence J. (1983), The Beatles. A musical evolution. Boston: Twayne Publishers, 1983.
  • Pedler, Dominic (2003), The songwriting secrets of the Beatles. London: Omnibus Press, 2003.
  • Persson, Håkan (1995), Analys av tonförrådet i 187 Beatles-låtar. Metod och resultat. [Analysis of the tonal supply of 187 Beatles' songs. Method and results.] Uppsala: University of Uppsala, 1995.
  • Pollack, Alan W. (1989-2000), "Notes on ... series." In: The 'Official' rec.music.beatles Home Page; and in: Soundscapes, 1998-1999, 1 (Winter).
  • Porter, Steven Clark (1979), Rhythm and harmony in the music of the Beatles. Ann Arbor, Michigan: University Microfilms International, 1983 (Ph.D. Dissertation, City University of New York, 1979).
  • Richardson, John (1998), "'Black and white' music. Dialogue, dysphoric coding and death drive in the music of Bernard Herrmann, The Beatles, Stevie Wonder and Coolio." In: Yrjö Heinonen, Tuomas Eerola, Jouni Koskimäki, Terhi Nurmesjärvi and John Richardson (eds.), Beatlestudies 1. Songwriting, recording, and style change. Jyväskylä: University of Jyväskylä (Department of Music, Research Reports 19), 1998, 161-182.
  • Schleifer, Cy (2002), "The Beatles for everyone. Rearranging base and superstructure in the rock ballad." In: Russell Reising (ed.), Every sound there is. The Beatles' Revolver and the transformation of rock and roll. Aldershot: Ashgate, 2002, 158-170.
  • Schleifer, Ronald (2002), "The Beatles, postmodernism, and ill-tempered musical form. Cleaning my gun, or the use of accidentals in Revolver. In: Russell Reising (ed.), Every sound there is. The Beatles' Revolver and the transformation of rock and roll. Aldershot: Ashgate, 2002, 222-233.
  • Stetzer, Charles W. (1976), Four aspects of the music of the Beatles: instrumentation, harmony, form, and album unity. Rochexter, New York: University of Rochester, 1976 (Dissertation).
  • Temperley, David (2007), "The melodic-harmonic 'divorce' in rock." In: Popular Music, 26, 2, 323–342. [Abstract]
  • Tillekens, Ger (1998), "Baroque and folk and ... John Lennon. Some folk and classical elements in the songs of John Lennon." In: Soundscapes, 1998-1999, 1 (Summer).
  • Tillekens, Ger (1998), "The sound of the Beatles. Summary." In: Soundscapes, 1998-1999, 1 (Spring).
  • Tillekens, Ger (1998), Het geluid van de Beatles. [The sound of the Beatles.] Amsterdam: Het Spinhuis, 1998. [Pdf, Epub]]
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