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- Everett, Walter (1990), "Voice leading and harmony as expressive devices in early music of the Beatles: 'She Loves You.'" In: College Music Symposium, 1990, 32, 19-37.
- Everett, Walter (1995), "The Beatles as composers. The genesis of Abbey Road, Side Two." In: Elizabeth West Marvin and Richard Hermann (eds.), Concert music, rock, and jazz since 1945. Essays and analytical studies. University of Rochester Press, 1995, 172-228.
- Everett, Walter (1999), The Beatles as musicians. Revolver through the Anthology. New York [etc.]: Oxford University Press, 1999.
- Everett, Walter (2001), "The future of Beatles' research." In: Yrjö Heinonen, Markus Heuger, Sheila Whiteley, Terhi Nurmesjärvi and Jouni Koskimäki (eds.), Beatlestudies 3. Proceedings of the Beatles 2000 conference. Jyväskylä: University of Jyväskylä (Department of Music, Research Reports 23), 2001, 25-44. [Abstract]
- Everett, Walter (2001), The Beatles as musicians. The Quarry Men through Rubber Soul. Oxford and New York: Oxford University Press, 2001.
- Everett, Walter (2002), "Detroit and Memphis. The soul of Revolver." In: Russell Reising (ed.), Every sound there is. The Beatles' Revolver and the transformation of rock and roll. Aldershot: Ashgate, 2002, 25-57.
- Everett, Walter (2006), "Painting their room in a colorful way. The Beatles exploration of timbre.", In: Todd F. Davis and Kenneth Womack (eds.), Reading the Beatles. Cultural studies, literary criticism and the Fab Four. New York: State University of New York Press, 2006, 71-94.
- Everett, Walter (2009), "Any time at all. The Beatles' free phrase rhythms." In: Kenneth Womack (ed.), The Cambridge companion to the Beatles. Cambridge: Cambridge University Press, 183-200.
- Everett, Walter, and Tim Riley (2019), What goes on. The Beatles, their music, and their time. Oxford: Oxford University Press, 2019.
- Fabbri, Franco (1996), "Forme e modelli delle canzoni dei Beatles." [Forms and models of the Beatles' songs.] In: Rossana Dalmonte (ed.), Analisi e canzoni. Trento: Dipartimento di Scienze Filologiche e Storiche, Università degli Studi di Trento, 1996, 169-196 [also published in: Franco Fabbri, Il suono in cui viviamo. Inventare, produrre, diffondere musica. Milano: Feltrinelli, 1996, 53-79]. [Abstract]
- Faulstich, Werner (1985), Rock als 'Way of Life.' Tübinger Vorlesungen zur Rockgeschichte, Teil II: 1964-1971. Herausgegeben von Charly Rinne. Gelsenkirchen, 1985.
- Fitzgerald, Jon (1995), "When the Brill Building met Lennon-McCartney. Continuity and change in the early evolution of the mainstream pop song." In: Popular Music and Society, 1995, 19, 1, 59-78.
- Fitzgerald, Jon (1996), "Lennon-McCartney and the 'middle eight.'" In: Popular Music and Society, 1996, 20, 4, 41-52.
- Fitzgerald, Jon (2000), "Lennon-McCartney and the early British invasion, 1964-1966." In: Ian Inglis (ed.), The Beatles, popular music and society. A thousand voices. Basingstoke: MacMillan; New York: St. Martin's Press, 2000, 53-85.
- Flender, Christine (1995), Computerunterstützte Vergleichsanalyse einstimmiger Gesangsmelodien der Popmusik — dargestellt am Beispiel der Beatles-Songs. [Comparing monovocal rock melodies by computer analysis — the example of the Beatles' songs.] Köln: Musikwissenschaftliches Institut der Universität zu Köln, 1995 (Magisterarbeit, 2 Bande; unpublished manuscript).
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