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markus heuger's
beabliography

Beabliography

Mostly academic writings about the Beatles
by Markus Heuger
 





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  The Beabliography is a bibliography of books and articles, focusing mainly on academic works on the Beatles. By now the database covers over 600 titles, some with links and/or abstracts. Please mail us if you like to add yet another title to this list.
Authors: All (151 to 165 of 621 items)
   
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  • Flender, Christine, and Markus Heuger (1996), "Beatology — Musikwissenschaftliche Annäherungen an die Beatles-Songs." [Beatology — musicological approaches to the Beatles' songs.] In: H. Rösing (ed.), Mainstream, Underground, Avantgarde: Rockmusik und Publikumsverhalten. Beiträge zur Popularmusikforschung 18. Karben: Coda, 1996, 47-61. [Abstract]
  • Frame, Peter (1997), The Beatles and some other guys. Rock family trees of the early sixties. London: Omnibus Press, 1997.
  • Freed, Richard (1965), "B is for Beatles (and Baroque)." In: Saturday Review, 25-12-1965: 57, 61.
  • Freund, Charles Paul (2001), "Still fab. Why we keep listening to the Beatles." In: Reason Online, June 2001.
  • Frith, Simon (1981), "Something to be — John Lennon." In: Simon Frith (1988), Music for pleasure. Essays in the sociology of pop. Oxford: Basil Blackwell, 1988, 72-76 (originally published in: Marxism Today, 1981).
  • Frith, Simon (1984), "Popular music, 1950-1980." In: George Martin (ed.), Making music. The guide to writing, performing and recording. New York: Quill, 1984, 18-48.
  • Frith, Simon (1992), "From the Beatles to Bros. Twenty-five years of British pop." In: Nicholas Abercrombie and Alan Warde (eds.), Social change in contemporary Britain. Cambridge, MA: Blackwell, 1992. [Abstract]
  • Frith, Simon (1996), "Performance." In: Simon Frith (1996), Performing rites. On the value of popular music. Oxford: Oxford University Press, 1996, 203-225.
  • Frith, Simon (1996), "The value problem in cultural studies." In: Simon Frith (1996), Performing rites. On the value of popular music. Oxford: Oxford University Press, 1996, 3-20.
  • Frith, Simon (1996), "The voice." In: Simon Frith (1996), Performing rites. On the value of popular music. Oxford: Oxford University Press, 1996, 183-202.
  • Frontani, Michael (2009), "The solo years." In: Kenneth Womack (ed.), The Cambridge companion to the Beatles. Cambridge: Cambridge University Press, 153-182.
  • Frontani, Michael (2007), The Beatles. Image and the media. Jackson: University Press of Mississippi, 2007.
  • Fuchs, Michael (1998), "Mit dem Computer zurück zu Hey Jude. Beatles remake." [Getting back to Hey Jude with the computer. Beatles remake.] In: Die Welt, 16.09.1988, 217, 19.
  • Fujita, Tetsuya, Yuji Hagino, Hajime Kubo and Goro Sato (transcr.) (1993), The Beatles complete scores. Every song written and recorded by the Beatles. Full transcriptions from the original recordings. London, New York: Wise Publications, 1993 (originally published in 1989 by Shinko Music Publishing).
  • Fulpen, Harry V. (1999), Beatles. An illustrated diary. London: Plexus, 1999.
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