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markus heuger's


Mostly academic writings about the Beatles
by Markus Heuger

  The Beabliography is a bibliography of books and articles, focusing mainly on academic works on the Beatles. By now the database covers over 500 titles, some with links and/or abstracts. Please mail us if you like to add yet another title to this list.
Analysis - Musical Parameters (1 to 15 of 70 items)
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  • Agostini, Roberto (1996), "Lucy In The Sky With Diamonds. Un' analisi." [Analyzing Lucy In The Sky With Diamonds.] In: Rossana Dalmonte (ed.), Analisi e canzoni. Trento: Dipartimento di Scienze Filologiche e Storiche, Università degli Studi di Trento, 1996, 263-291. [Abstract]
  • Baur, Steven (2002), "Ringo round Revolver. Rhythm, timbre, and tempo in rock drumming." In: Russell Reising (ed.), Every sound there is. The Beatles' Revolver and the transformation of rock and roll. Aldershot: Ashgate, 2002, 171-182.
  • Beller-McKenna, Daniel (1999), "Beatle-John's 'alter ego'." In: Music and Letters, 1999, 60, 254-268. [Abstract]
  • Brandmeier, Klaus (1992), Analytische Betrachtungen zu den Originalkompositionen der Beatles. [Analytical perspectives on the original compositions of the Beatles.] Osnabrück, 1992 (Schriftliche Hausarbeit zur Erlangung des Ersten Staatsexamens, unpublished paper).
  • Brown, Jason I. (2004), "Mathematics, physics and 'A Hard Day's Night'." In: CMS (Canadian Mathematical Society) Notes, 36, 4-8. [Abstract]
  • Cathé, Philippe (2015), "La nostalgie chez les Beatles: vers une application de la théorie des vecteurs harmoniques à la musique pop." ["The Beatles' Nostalgia: Towards an Application of Harmonic Vectors Theory to Pop Music."] In: Volume!, 12, 2: 181-191.
  • Everett, Walter (1987), "Text painting in the foregrond and middleground of Paul McCartney's Beatle song 'She's Leaving Home.' A musical study of psychological conflict." In: Theory Only, 1987, 9, 7, 5-21.
  • Everett, Walter (1990), "Voice leading and harmony as expressive devices in early music of the Beatles: 'She Loves You.'" In: College Music Symposium, 1990, 32, 19-37.
  • Everett, Walter (1995), "The Beatles as composers. The genesis of Abbey Road, Side Two." In: Elizabeth West Marvin and Richard Hermann (eds.), Concert music, rock, and jazz since 1945. Essays and analytical studies. University of Rochester Press, 1995, 172-228.
  • Everett, Walter (1999), The Beatles as musicians. Revolver through the Anthology. New York [etc.]: Oxford University Press, 1999.
  • Everett, Walter (2001), The Beatles as musicians. The Quarry Men through Rubber Soul. New York [etc.]: Oxford University Press, 2001.
  • Everett, Walter (2002), "Detroit and Memphis. The soul of Revolver." In: Russell Reising (ed.), Every sound there is. The Beatles' Revolver and the transformation of rock and roll. Aldershot: Ashgate, 2002, 25-57.
  • Everett, Walter (2006), "Painting their room in a colorful way. The Beatles exploration of timbre.", In: Davis, Todd F., and Kenneth Womack (eds.), Reading the Beatles. Cultural studies, literary criticism and the Fab Four. New York: State University of New York Press, 2006, 71-94.
  • Everett, Walter (2009), "Any time at all. The Beatles' free phrase rhythms " In: Womack, Kenneth (ed.), The Cambridge companion to the Beatles. Cambridge: Cambridge University Press, 183-200.
  • Fitzgerald, Jon (2000), "Lennon-McCartney and the early British invasion, 1964-1966." In: Ian Inglis (ed.), The Beatles, popular music and society. A thousand voices. Basingstoke: MacMillan; New York: St. Martin's Press, 2000, 53-85.
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