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- Heinonen, Yrjö (1996), "Luovaa leikkimieltä musiikin tekemiseen! Esimerkkinä Beatles-sävelmän Good Morning Good Morning kirjoitus-ja äänitysprosessi." [Creative playfulness to music making! The writing and recording process of "Good Morning Good Morning" by the Beatles.] In: Seppo Tella (ed.), Teoksessa Nautinnon lähteillä. Aineen opettaminen ja luovuus. Helsinki: Helsingin yliopiston OKL (Tutkimuksia 163), 1996, 423-432). [Abstract]
- Heinonen, Yrjö (1996), "Semantic and episodic models in music. A cognitive approach to the analysis of compositional influences." Paper presented at the Joint International Conference of Systematic Musicology and Cognitive Musicology, 8-11 September 1996, Brugge (Belgium). [Abstract and Summary]
- Heinonen, Yrjö (1997), "Mi-re-do-la-so. A pentatonic pattern and its variations in the music of the Beatles." In: The Finnish Kodály Center Yearbook, 1997, 45-89. [Abstract]
- Heinonen, Yrjö (1997), "The Beatles as a small group. The effects of group development on group performance." Paper for the European Seminar in Ethnomusicology, 15-19 October 1997, Jyväskylä (Finland). Published In: Yrjö Heinonen, Tuomas Eerola, Jouni Koskimäki, Terhi Nurmesjärvi and John Richardson (eds.), Beatlestudies 1. Songwriting, recording, and style change. Jyväskylä: University of Jyväskylä (Department of Music, Research Reports 19), 1998, 89-116. [Summary]
- Heinonen, Yrjö (1998), "Creative energy at Abbey Road. The changing roles of the Beatles and the EMI recording staff." Paper for the "Popular Music and Technology" Conference. Salford, England, 3-4 April, 1998. [Abstract]
- Heinonen, Yrjö (1998), "Hello little girl — John Lennonin ensimmäinen laulu ja sen psykoanalyyttinen tulkinta." In: Musiikki, 1998, 4. [Abstract]
- Heinonen, Yrjö (1998), "Michelle, ma belle — songwriting as coping with inner conflicts." In: Yrjö Heinonen, Tuomas Eerola, Jouni Koskimäki, Terhi Nurmesjärvi and John Richardson (eds.), Beatlestudies 1. Songwriting, recording, and style change. Jyväskylä: University of Jyväskylä (Department of Music, Research Reports 19), 1998, 147-159. [Summary]
- Heinonen, Yrjö (1999), "I Want To Hold Your Handin kirjoitus-ja äänitysprosessi." In: Musiikin suunta, 1999, 1.
- Heinonen, Yrjö (1999), "Improvisation and quasi-improvisation — The alteration of chord-based and scale-based guitar solos based on the 12-bar blues progression by George Harrison." Paper for the Summer Jazz Conference 1999. Jyväskylä, Finland, 4-5 June 1999. [Abstract]
- Heinonen, Yrjö (2000), "In search of lost order. Archetypal meanings in Lucy In The Sky With Diamonds." Paper for the Third National Symposium on Music Research. Jyväskylä, 16-17 April 1999. Published in: Yrjö Heinonen, Jouni Koskimäki, Seppo Niemi and Terhi Nurmesjärvi (eds.), Beatlestudies 2. History, identity, authenticity. Jyväskylä: University of Jyväskylä (Department of Music, Research Reports 23), 2000, 207-255. [Abstract and Summary]
- Heinonen, Yrjö (2000), "Man on a flaming pie. The dubious origin of the Beatles revisited." In: Yrjö Heinonen, Jouni Koskimäki, Seppo Niemi and Terhi Nurmesjärvi (eds.), Beatlestudies 2. History, identity, authenticity. Jyväskylä: University of Jyväskylä (Department of Music, Research Reports 23), 2000, 111-146. [Abstract]
- Heinonen, Yrjö (2000), "Review of: The Beatles as musicians. Revolver through the Anthology, by Walter Everett (1999)." In: Music Theory Online, 2000, 6, 2 (May).
- Heinonen, Yrjö (2001), "The mystery of Eleanor Rigby. Meditations on a gravestone." In: Yrjö Heinonen, Markus Heuger, Sheila Whiteley, Terhi Nurmesjärvi and Jouni Koskimäki (eds.), Beatlestudies 3. Proceedings of the Beatles 2000 conference. Jyväskylä: University of Jyväskylä (Department of Music, Research Reports 23), 2001, 299-312. [Abstract]
- Heinonen, Yrjö, (1995), "Michelle, ma belle — lauluntekeminen psyykkisten ristiriitojen sovittajana." [Michelle, ma belle — songwriting as coping with inner conflicts.] In": Jaakko Erkkilä and Yrjö Heinonen (eds.), Teoksessa Avaa mielesi musiikille! Kohti tutki muspohjaista musiikkiterapiaa. Jyväskylä: Jyväskylän yliopiston musiikkitieteen lai, 1995; and in: Heinonen, Yrjö (1995), Elämyksestä ideaksi — ideasta musiikiksi. Sävellysprosessin yleinen malli ja sen soveltaminen Beatles-yhtyeen laulunteko-ja äänitysprosessiin. Jyväskylä: University of Jyväskykä, 1995 (Jyväskylä Studies in the Arts, 48 — Ph.D. Dissertation). [Summary]
- Heinonen, Yrjö, and Tuomas Eerola (1998), "Songwriting, recording, and style change. Problems in the chronology and periodization of the musical style of the Beatles." In: Yrjö Heinonen, Tuomas Eerola, Jouni Koskimäki, Terhi Nurmesjärvi and John Richardson (eds.), Beatlestudies 1. Songwriting, recording, and style change. Jyväskylä: University of Jyväskylä (Department of Music, Research Reports 19), 1998, 3-32; and in: Soundscapes, 1999-2000, 3 (Summer).
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