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markus heuger's
beabliography

Beabliography

Mostly academic writings about the Beatles
by Markus Heuger
 





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  The Beabliography is a bibliography of books and articles, focusing mainly on academic works on the Beatles. By now the database covers over 600 titles, some with links and/or abstracts. Please mail us if you like to add yet another title to this list.
Authors: All (241 to 255 of 621 items)
   
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  • Heinonen, Yrjö, and Tuomas Eerolo (2000), "The Beatles and their times. Thoughts on the 'relative autonomy' of style change." In: Yrjö Heinonen, Jouni Koskimäki, Seppo Niemi and Terhi Nurmesjärvi (eds.), Beatlestudies 2. History, identity, authenticity. Jyväskylä: University of Jyväskylä (Department of Music, Research Reports 23), 2000, 1-42. [Abstract]
  • Heinonen, Yrjö, Jouni Koskimäki and Terhi Nurmesjärvi (1998), "The White Album — Past and future." Paper for the IASPM UK 1998 Conference "Popular Music — Past and Future". Liverpool, England, 11-13 September 1998. [Abstract]
  • Heinonen, Yrjö, Tuomas Eerola, Jouni Koskimäki and Terhi Nurmesjärvi (1998), "(Being a short diversion to) Current perspectives in Beatles' research." In: Yrjö Heinonen, Tuomas Eerola, Jouni Koskimäki, Terhi Nurmesjärvi and John Richardson (eds.), Beatlestudies 1. Songwriting, recording, and style change. Jyväskylä: University of Jyväskylä (Department of Music, Research Reports 19), 1998, i-v.
  • Heister, Hans-Werner, and Jürgen Warneken (1969), "Rezension zu: Die Songs der Beatles, durch Georg Geppert (1968)." In: Argument, 1969, 11, 341-22.
  • Helbig, Jörg, and Simon Warner (eds.) (2008), Summer of love. The Beatles, art and culture in the sixties. Trier: Wissenschaftlicher Verlag, 2008.
  • Hertsgaard, Mark (1995), A day in the life. The music and artistry of the Beatles. New York, 1995 [German edition: The Beatles. Die Geschichte ihrer Musik. München: Hanser, 1995; Dutch edition: A Day In The Life. De Beatles en hun muziek. Baarn: De Prom, 1995.]
  • Heuger, Markus (1995), Die Bearbeitung als Rezeptionsform populärer Musik — am Beispiel der Adaption von Beatles-Kompositionen, 1963-94. Köln: Musikwissenschaftliches Institut der Universität zu Köln, 1995 (Magisterarbeit, 3 Bände; unpublished manuscript).
  • Hicter, Marcel (1977), "La contre-culture n'existe pas." [There is no counterculture.] In: Revue de l'Institut de Sociologie (Solvay), 1977, 3-4, 495-505. [Abstract]
  • Hockinson, Michael J. (1992), The ultimate Beatles quiz book. New York, 1992 (2).
  • Holt, Greg (1984), "Review of: The Beatles. A musical evolution, by Terence O'Grady." In: Popular Music, 1984, 4, 359-362.
  • Hørlyk, Thorkil (1994), "Musikteoretiske studier af melodik og harmonik i rockmusik med eksempler fra Beatles-stilen." [A music-theoretical study of melody and harmony in rock music with examples from the Beatles-songbook.] In: Col Legno. Musikalske studier fra Institut for Musik og Musikterapi og Nordjysk Musikkonservatorium, 1: 355-402.
  • Hoppe, David (1995), "With a little help from our friends: the Beatles' Apple adventure revisited." In: New Art Examiner, 1995, 22 (Summer), 18-23.
  • Horwitz, Margaret McBride (1990), Persona and spectacle in the films of Elvis Presley and the Beatles. Los Angeles: University of California, 1990 (Dissertation; Ann Arbor, MI: Dissertation Abstracts International, 1991 Jan, 51, 7, 2180A, DAI No.: DA9034003).
  • Howell, Jeremy (1991), "A revolution in motion. Advertising and the politics of nostalgia." In: Sociology of Sport, 1991, 8, 3 (September), 258-271. [Abstract]
  • Howlett, Kevin (1982), The Beatles at the Beeb. The story of their radio career, 1962-65. London: BBC Publications, 1982.
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